Partial Evidence
Audio
Prompt
Build a boom bap beat at 90 BPM where all melodic/harmonic content comes from additive synthesis — stacked detuned sines via Klang forming warm chord pads with audible beating. Kick and snare stay percussive, but the tonal voices are pure sine clusters: a 5-partial chord pad with slow amplitude modulation, and a 3-partial bass voice with slight detuning from root. The beating frequencies between near-unison partials become the implied rhythm beneath the drum pattern.
Selected Components
macro_boom_bap_corevoice_kick_808voice_snare_boom_bapvoice_hat_rimshotvoice_sub_pulsetone_warm_bodyfx_space_haze_lightmotion_drift_slow
Test Notes
What This Test Is
Build a boom bap beat at 90 BPM where all melodic/harmonic content comes from additive synthesis — stacked detuned sines via Klang forming warm chord pads with audible beating. Kick and snare stay percussive, but the tonal voices are pure sine clusters: a 5-partial chord pad with slow amplitude modulation, and a 3-partial bass voice with slight detuning from root. The beating frequencies between near-unison partials become the implied rhythm beneath the drum pattern
Full Prompt
Build a boom bap beat at 90 BPM where all melodic/harmonic content comes from additive synthesis — stacked detuned sines via Klang forming warm chord pads with audible beating. Kick and snare stay percussive, but the tonal voices are pure sine clusters: a 5-partial chord pad with slow amplitude modulation, and a 3-partial bass voice with slight detuning from root. The beating frequencies between near-unison partials become the implied rhythm beneath the drum pattern.
Selected Components
- macro_boom_bap_core
- voice_kick_808
- voice_snare_boom_bap
- voice_hat_rimshot
- voice_sub_pulse
- tone_warm_body
- fx_space_haze_light
- motion_drift_slow